000048430 001__ 48430 000048430 005__ 20161006102705.0 000048430 0247_ $$2doi$$a10.1590/2237-266052368 000048430 0248_ $$2sideral$$a93795 000048430 037__ $$aART-2015-93795 000048430 041__ $$aeng 000048430 100__ $$0(orcid)0000-0002-0518-975X$$aPérez Royo, Victoria$$uUniversidad de Zaragoza 000048430 245__ $$aAbout Research in the Arts: a lover’s discourse 000048430 260__ $$c2015 000048430 5060_ $$aAccess copy available to the general public$$fUnrestricted 000048430 5203_ $$aThis paper is the result of an exercise of experimental re-writing and analogical thinking which had as an aim to open a new perspective on research in the arts. In terms of method, the different figures of love in Barthes' A Lover's Discourse are forced to talk about the relationship of researcher and object of study. This analogy allows us to find quality parameters based on a scale of values different to the hegemonic ones in the academy (productivity, competitiveness, innovation). These new parameters might constitute a solid ontological basis to build a new politics of artistic research in the academy that allow a radical reconsideration of processes of artistic research. 000048430 540__ $$9info:eu-repo/semantics/openAccess$$aby$$uhttp://creativecommons.org/licenses/by/3.0/es/ 000048430 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion 000048430 7102_ $$13005$$2270$$aUniversidad de Zaragoza$$bDepartamento de Filosofía$$cEstética y Teoría de las Artes 000048430 773__ $$g5, 3 (2015), 533-558$$pRev. Bras. Estud. Presença$$tRevista Brasileira de Estudos da Presença$$x2237-2660 000048430 8564_ $$s335694$$uhttps://zaguan.unizar.es/record/48430/files/texto_completo.pdf$$yVersión publicada 000048430 8564_ $$s12263$$uhttps://zaguan.unizar.es/record/48430/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada 000048430 909CO $$ooai:zaguan.unizar.es:48430$$particulos$$pdriver 000048430 951__ $$a2016-04-19-14:36:46 000048430 980__ $$aARTICLE