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000061622 100__ $$0(orcid)0000-0002-0518-975X$$aPérez Royo, Victoria$$uUniversidad de Zaragoza
000061622 245__ $$aReal Fictions: Time has fallen asleep in the afternoon sunshine
000061622 260__ $$c2016
000061622 5060_ $$aAccess copy available to the general public$$fUnrestricted
000061622 5203_ $$aRamon Bonavena, in his masterpiece of six volumes, North-Northeast, describes the corner of his desk with an extreme thoroughness. His accuracy is such that just the description of his pencil takes him 29 pages. Lambkin Formento, with a similar eagerness for excessive precision-though applied to another field of work- was the creator of a literary critique he defined as perfect: one that coincides word-for-word with the analyzed poem. In this way, he published a description of The Divine Comedy that exactly matched the original. Nierenstein Souza created books in another manner: assuming the changeable character of oral literature, he decided to stop writing and to devote himself to telling stories. It didn’t matter whether they were good or bad, since the subsequent narrations and time would take care of selecting, improving, and even writing them...
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000061622 7102_ $$13005$$2270$$aUniversidad de Zaragoza$$bDepartamento de Filosofía$$cEstética y Teoría de las Artes
000061622 773__ $$g2 (2016), 128-129$$pA.DNZ$$tA.DNZ$$x0719-4676
000061622 85641 $$uhttp://www.adnz.uchile.cl/index.php/ADNZ/article/viewPDFInterstitial/45063/47142$$zTexto completo de la revista
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000061622 951__ $$a2017-06-29-11:33:26
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