107412 20220908120528.0 doi 10.46284/mkd.2021.9.3.1 sideral 124774 ART-2021-124774 eng Lorente Lorente, Jesús Pedro Universidad de Zaragoza (orcid)0000-0003-4500-5182 Avant-garde art display recreations historised: Muzeum Sztuki in Lódz as a referential case? 2021 Access copy available to the general public Unrestricted Museums can no longer pretend to be mere containers of art or other cultural treasures; their fascinating legacy for posterity is definitely not just the respective collection, but also its idiosyncratic articulation and ulterior resignification. This essay surveys sifting trends in the re-staging of modern museographies; but instead of using New York’s MoMA as the obvious paradigm, pride of place is given here to the Muzeum Sztuki in Łódź (Poland). Its original Neoplastic Hall survived only from June 1948 until October 1950; but it was reconstructed ten years later, prefiguring other museographical remakes of avant-garde art displays. Thereafter, it also became, in many ways, a typical example characterising postmodern museological trends. All in all, it could perhaps be discussed nowadays in the light of critical museology as a referential case in the history of heritagised museographies. info:eu-repo/grantAgreement/ES/AEI-FEDER/PGC2018-094351-B-C41 info:eu-repo/semantics/openAccess by http://creativecommons.org/licenses/by/3.0/es/ 0.198 2021 Museology 2021 Q2 Conservation 2021 Q2 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 3007 465 Universidad de Zaragoza Dpto. Historia del Arte Área Historia del Arte 9, 3 (2021), 5-15 Muzeologia a Kulturne Dedicstvo 1339-2204 448374 http://zaguan.unizar.es/record/107412/files/texto_completo.pdf Versión publicada 1548768 http://zaguan.unizar.es/record/107412/files/texto_completo.jpg?subformat=icon icon Versión publicada oai:zaguan.unizar.es:107412 articulos driver 2022-09-08-11:55:28 ARTICLE