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000107421 100__ $$0(orcid)0000-0003-2922-9194$$aCollado Rodríguez, Francisco$$uUniversidad de Zaragoza
000107421 245__ $$aThe female, the intertextual, and the transhuman in William Gibson’s Molly Millions
000107421 260__ $$c2021
000107421 5060_ $$aAccess copy available to the general public$$fUnrestricted
000107421 5203_ $$aConsidered the great guru of cyberpunk, William Gibson is also the creator of one of the most representative female icons of the genre, Molly Millions. An aggressive co-star in one of Gibson’s early narratives, “Johnny Mnemonic” (1981) and in his first novel, Neuromancer (1984), Molly finds herself at an intertextual, postfeminist, and post/transhuman crossroads. She emerges as a dangerous and empowered cyborg; without her, the rather weak Johnny, the male lead in the first story in which Molly appears, would have died. However, her condition makes her much more than a bodyguard. Through her role, Gibson also shows the hyperreal predictions of a dystopian world whose strongly naturalist context does not seem to offer this prototypical cyberpunk woman any outlet but a transhumanity for which she needs to update constantly her physical enhancements, inexorably related to her necessarily violent survival.
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000107421 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion
000107421 7102_ $$13004$$2345$$aUniversidad de Zaragoza$$bDpto. Filolog.Inglesa y Alema.$$cÁrea Filología Inglesa
000107421 773__ $$g7, 1 (2021), 23-36$$pHe´lice (Madr.)$$tHélice$$x2792-3452
000107421 85641 $$uhttps://www.revistahelice.com/revista_textos/n_30/H%C3%A9lice%2030%202021%20Primavera-Verano%20FRANCISCO%20COLLADO-RODR%C3%8DGUEZ.pdf$$zTexto completo de la revista
000107421 8564_ $$s309927$$uhttps://zaguan.unizar.es/record/107421/files/texto_completo.pdf$$yVersión publicada
000107421 8564_ $$s1886580$$uhttps://zaguan.unizar.es/record/107421/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada
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000107421 951__ $$a2023-06-21-15:03:27
000107421 980__ $$aARTICLE