000119727 001__ 119727
000119727 005__ 20221202151032.0
000119727 0247_ $$2doi$$a10.25145/j.recaesin.2022.85.11
000119727 0248_ $$2sideral$$a130501
000119727 037__ $$aART-2022-130501
000119727 041__ $$aeng
000119727 100__ $$aCollado-Rodríguez, Francisco
000119727 245__ $$aThe waste land and the release of social energy: an eliotean reading of Thomas Pynchon’s fiction
000119727 260__ $$c2022
000119727 5060_ $$aAccess copy available to the general public$$fUnrestricted
000119727 5203_ $$a"This essay discusses the striking influence of The Waste Land on Thomas Pynchon’s oeuvre and evaluates the stylistic and thematic links connecting them. More specifically, the article centers on twin aspects of Pynchon’s intertextual reframing of Eliot’s representation of the waste land. The first refers to the use of certain motifs and symbols of the poem, such as the narrator’s bouncy character, the living-dead condition of some personages, and the evocation of the violet hour. The second aspect concerns Pynchon’s versions of the figure of Belladonna as a “lady of situations” and her relationship with the notion of waste associated with mythic thinking, ethics, and the complexity of life. These themes are developed intensely in Pynchon’s oeuvre and are reflected in his complex experimental style."
000119727 540__ $$9info:eu-repo/semantics/openAccess$$aby$$uhttp://creativecommons.org/licenses/by/3.0/es/
000119727 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion
000119727 773__ $$g85 (2022), 167-182$$pRev. canar. estud. ingl.$$tRevista Canaria de Estudios Ingleses$$x0211-5913
000119727 8564_ $$s161783$$uhttps://zaguan.unizar.es/record/119727/files/texto_completo.pdf$$yVersión publicada
000119727 8564_ $$s1419772$$uhttps://zaguan.unizar.es/record/119727/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada
000119727 909CO $$ooai:zaguan.unizar.es:119727$$particulos$$pdriver
000119727 951__ $$a2022-12-02-14:39:24
000119727 980__ $$aARTICLE