000119837 001__ 119837
000119837 005__ 20230914083548.0
000119837 0247_ $$2doi$$a10.3390/h11020057
000119837 0248_ $$2sideral$$a130709
000119837 037__ $$aART-2022-130709
000119837 041__ $$aeng
000119837 100__ $$0(orcid)0000-0003-1672-4276$$aOnega, Susana$$uUniversidad de Zaragoza
000119837 245__ $$aImagining the blitz and its aftermath: the narrative performance of trauma in Sarah Waters’s the night watch
000119837 260__ $$c2022
000119837 5060_ $$aAccess copy available to the general public$$fUnrestricted
000119837 5203_ $$aCritics agree that Sarah Waters’ fourth novel, The Night Watch (2006), marks a turn in her fiction, away from the farcical tone of her first three neo-Victorian novels and towards an ever-more serious concern with the changes in class structures and gender roles brought about by the fact of war. The novel tells the parallel stories of three women and one man living in various areas of London in the 1940s. Though they have different social status, ideology, and sexual orientation, they share similarly traumatic experiences as, together with war trauma, they harbour individual feelings of loss and/or shame related to their deviance from patriarchal norms. The article seeks to demonstrate that the palimpsestic and backward structure of the novel performs formally the ‘belatedness of trauma’ (Caruth 1995, pp. 4–5), in an attempt to respond aesthetically and ethically to the ‘mnemonic void’ (Freud [1014] 1950) or ‘black hole’ (Pitman and Orr 1990; Bloom 2010; Van der Kolk and McFarlane [1998] 2004) left both in the characters’ traumatised psyches and in our cultural memory of the 1940s by the erased memories of the decade’s non-normative or dissident others.
000119837 536__ $$9info:eu-repo/grantAgreement/ES/DGA-FSE/H03-20R$$9info:eu-repo/grantAgreement/ES/MINECO-FEDER/FFI2017-84258-P
000119837 540__ $$9info:eu-repo/semantics/openAccess$$aby$$uhttp://creativecommons.org/licenses/by/3.0/es/
000119837 594__ $$a0.7$$b2022
000119837 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion
000119837 7102_ $$13004$$2345$$aUniversidad de Zaragoza$$bDpto. Filolog.Inglesa y Alema.$$cÁrea Filología Inglesa
000119837 773__ $$g11, 2 (2022), 57 [16 pp.]$$tHumanities$$x2076-0787
000119837 8564_ $$s318200$$uhttps://zaguan.unizar.es/record/119837/files/texto_completo.pdf$$yVersión publicada
000119837 8564_ $$s2816318$$uhttps://zaguan.unizar.es/record/119837/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada
000119837 909CO $$ooai:zaguan.unizar.es:119837$$particulos$$pdriver
000119837 951__ $$a2023-09-13-13:27:58
000119837 980__ $$aARTICLE