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<dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:invenio="http://invenio-software.org/elements/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7311/0860-5734.31.1.07</dc:identifier><dc:language>eng</dc:language><dc:creator>Regueira Martín, Andrea Sofía</dc:creator><dc:title>From the Teen Film to the Emerging Adult Film: The Road to Adulthood in Say Anything (1989) and High Fidelity (2000)</dc:title><dc:identifier>ART-2022-130741</dc:identifier><dc:description>In the past decades, the transition to adulthood in post-industrial countries has become longer, giving rise to emerging adulthood, a new life stage between adolescence and adulthood (Arnett and Taber 1994, Arnett 2000, 2004). Cinema has reflected this change, with a growing number of narratives exploring the challenges of this life stage. Through a comparative analysis of Say Anything (Cameron Crowe, 1989) and High Fidelity (Stephen Frears, 2000), this article seeks to establish the emerging adult film as a youth film subgenre of its own by outlining some of the generic conventions that make it different from teenage films.</dc:description><dc:date>2022</dc:date><dc:source>http://zaguan.unizar.es/record/120155</dc:source><dc:doi>10.7311/0860-5734.31.1.07</dc:doi><dc:identifier>http://zaguan.unizar.es/record/120155</dc:identifier><dc:identifier>oai:zaguan.unizar.es:120155</dc:identifier><dc:identifier.citation>Anglica 31, 1 (2022), 125-140</dc:identifier.citation><dc:rights>by-nc-sa</dc:rights><dc:rights>http://creativecommons.org/licenses/by-nc-sa/3.0/es/</dc:rights><dc:rights>info:eu-repo/semantics/openAccess</dc:rights></dc:dc>

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