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<dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:invenio="http://invenio-software.org/elements/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.12795/REN.2022.i26.11</dc:identifier><dc:language>eng</dc:language><dc:creator>Peinado Abarrio, Rubén</dc:creator><dc:title>'Fragmented and Bewildering:' The New Risk Society in Jenny Offill's Weather</dc:title><dc:identifier>ART-2022-131803</dc:identifier><dc:description>US author Jenny Offill’s Weather (2020) shows her idiosyncratic take on the notion of risk society. In the novel and its accompanying website, Offill develops a type of anxious fragmentation as an answer to the challenges of the Fourth Industrial Revolution. A multiple text characterized by compulsive quotation and the formal influence of digital media, Weather is held together by a first-person confessional voice. Eventually, Offill manages to achieve a sense of interconnection through an aesthetics of the fragment thanks to a double movement: she favors a critical posthumanist perspective that understands the interrelational subject as constituted by interaction with multiple others, and she explicitly calls for collective action. Therefore, I conclude that Weather represents Offill’s both aesthetic and political quest, as she distinctly aspires to elicit an answer from readers in the form of social activism.</dc:description><dc:date>2022</dc:date><dc:source>http://zaguan.unizar.es/record/121196</dc:source><dc:doi>10.12795/REN.2022.i26.11</dc:doi><dc:identifier>http://zaguan.unizar.es/record/121196</dc:identifier><dc:identifier>oai:zaguan.unizar.es:121196</dc:identifier><dc:identifier.citation>Revista de Estudios Norteamericanos 26 (2022), 1-23</dc:identifier.citation><dc:rights>All rights reserved</dc:rights><dc:rights>http://www.europeana.eu/rights/rr-f/</dc:rights><dc:rights>info:eu-repo/semantics/openAccess</dc:rights></dc:dc>

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