125890 20230427144511.0 doi 10.3390/arts12010004 sideral 133416 ART-2023-133416 eng Pérez-Moreno, Lucía C. Universidad de Zaragoza (orcid)0000-0002-6303-1950 The Image of Women Architects in Films, 1912–1943: New Careers and Stereotyped Femininities 2023 Contrary to what might be expected, portrayals of women architects in films can be found as far back as the early decades of the twentieth century. In this article, the authors review a few films released between 1912 and 1943 in which one of the characters is a woman architect, focusing on three of them: Dr. Monica (1934), Woman Chases Man (1937) and The Lamp Still Burns (1943). The article explores the ways in which architecture was used by screenwriters and directors as a suitable vehicle to portray the ‘new woman’, as well as the conflicts that arise when a woman practices a traditionally male profession. It analyses the differences and limitations of these depictions, and the stereotypes regarding femininity that permeated these works of fiction. Access copy available to the general public Unrestricted info:eu-repo/semantics/openAccess by http://creativecommons.org/licenses/by/3.0/es/ info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Lus-Arana, Luis M. Universidad de Zaragoza (orcid)0000-0001-5826-2642 5015 100 Universidad de Zaragoza Dpto. Arquitectura Área Composición Arquitectónic 12, 1 (2023), 12010004 [21 pp.] Arts (Basel) Arts 2076-0752 4586048 http://zaguan.unizar.es/record/125890/files/texto_completo.pdf Versión publicada 2683055 http://zaguan.unizar.es/record/125890/files/texto_completo.jpg?subformat=icon icon Versión publicada oai:zaguan.unizar.es:125890 articulos driver 2023-04-27-13:56:13 ARTICLE