<?xml version="1.0" encoding="UTF-8"?>
<articles>
<article xmlns:xlink="http://www.w3.org/1999/xlink/">
  <front>
    <article-meta>
      <title-group>
        <article-title/>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name>
            <surname>Río Álvaro</surname>
            <given-names>Constanza del</given-names>
          </name>
        </contrib>
      </contrib-group>
      <pub-date pub-type="pub">
        <year>2013</year>
      </pub-date>
      <self-uri xlink:href="http://zaguan.unizar.es/record/12696"/>
      <self-uri xlink:href="http://zaguan.unizar.es/record/12696/files/TAZ-TFM-2013-978.pdf"/>
    </article-meta>
    <abstract>En este trabajo se analizan A Pagan Place (1970) y Mother Ireland (1976) de Edna O’Brien desde una perspectiva postcolonial. Se examina más concretamente la construcción de una identidad femenina en la Irlanda postcolonial que presentan estas novelas, a través de la religión, la historia y la sexualidad, conformando así una identidad femenina híbrida y liminal. * This essay analyzes Edna O'Brien's A Pagan Place (1970) and Mother Ireland (1976) from a postcolonial perspective. More specifically, the construction of a female identity in the postcolonial Ireland that these novels present will be examined through a focus on religion, history and sexuality, all of which conform a hybrid and liminal female identity.</abstract>
  </front>
  <article-type>TAZ</article-type>
</article>

</articles>