000127736 001__ 127736 000127736 005__ 20231006132948.0 000127736 0247_ $$2doi$$a10.1386/slac_00011_1 000127736 0248_ $$2sideral$$a117622 000127736 037__ $$aART-2020-117622 000127736 041__ $$aeng 000127736 100__ $$0(orcid)0000-0002-3087-4556$$aDeleyto, C.$$uUniversidad de Zaragoza 000127736 245__ $$aThe way of the dog: Truman through the cosmopolitan lens 000127736 260__ $$c2020 000127736 5060_ $$aAccess copy available to the general public$$fUnrestricted 000127736 5203_ $$aThis article examines Truman (Gay, 2015) as an example of a transnational co-production between Argentina and Spain within the wider context of contemporary co-productions in Latin American cinema. The article uses cultural-industrial analysis and cosmopolitan theory - in particular, the notion of cosmopolitan performance and cosmopolitan spaces - as a framework for the exploration of the symbolic-ideological space that the film creates out of the real places in which the action is set and out of the various journeys inscribed in the cinematic identities of its main authorial voices. The Madrid neighbourhood in which most of the narrative develops, Las Salesas, is transformed in the movie through the presence in its midst of transnational star Ricardo Darin and the urban sensibility contributed by Barcelona-based director Cesc Gay. As a consequence, Truman''s construction of space becomes part of a Hispanic American imaginary which, originating in industrial practices, financial motivations and a vaguely defined common cultural space, attempts to supersede colonial history within the logics of globalization, transnationalism and cosmopolitan sensibilities. 000127736 536__ $$9info:eu-repo/grantAgreement/ES/MINECO/FFI2017-83606-P 000127736 540__ $$9info:eu-repo/semantics/openAccess$$aAll rights reserved$$uhttp://www.europeana.eu/rights/rr-f/ 000127736 592__ $$a0.112$$b2020 000127736 593__ $$aCommunication$$c2020$$dQ2 000127736 593__ $$aMultidisciplinary$$c2020$$dQ2 000127736 593__ $$aVisual Arts and Performing Arts$$c2020$$dQ2 000127736 593__ $$aCultural Studies$$c2020$$dQ2 000127736 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/acceptedVersion 000127736 7102_ $$13004$$2345$$aUniversidad de Zaragoza$$bDpto. Filolog.Inglesa y Alema.$$cÁrea Filología Inglesa 000127736 773__ $$g17, 1 (2020), 51-72$$tSTUDIES IN SPANISH & LATIN AMERICAN CINEMAS$$x2050-4837 000127736 8564_ $$s227147$$uhttps://zaguan.unizar.es/record/127736/files/texto_completo.pdf$$yPostprint 000127736 8564_ $$s1510340$$uhttps://zaguan.unizar.es/record/127736/files/texto_completo.jpg?subformat=icon$$xicon$$yPostprint 000127736 909CO $$ooai:zaguan.unizar.es:127736$$particulos$$pdriver 000127736 951__ $$a2023-10-06-12:35:27 000127736 980__ $$aARTICLE