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<dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:invenio="http://invenio-software.org/elements/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.1016/j.quaint.2015.11.033</dc:identifier><dc:language>eng</dc:language><dc:creator>Garcia Benito, Carlos</dc:creator><dc:creator>Alcolea Gracia, Marta</dc:creator><dc:creator>Mazo Pérez, Carlos</dc:creator><dc:title>Experimental study of the aerophone of Isturitz: Manufacture, use-wear analysis and acoustic tests</dc:title><dc:identifier>ART-2016-93117</dc:identifier><dc:description>In order to evaluate the musical performance of the most complete Gravettian aerophone recovered at the site of Isturitz, two experimental replicas were reproduced from the ulna of a griffon vulture (Gyps fulvus), each with a different way of elaborating their holes (boring and scraping). The operational chain that involves their manufacture is a sequence of single and simple actions that does not require the use of specialized tools. Its acoustics are explained by performing sound in three different ways in both replicas.</dc:description><dc:date>2016</dc:date><dc:source>http://zaguan.unizar.es/record/130926</dc:source><dc:doi>10.1016/j.quaint.2015.11.033</dc:doi><dc:identifier>http://zaguan.unizar.es/record/130926</dc:identifier><dc:identifier>oai:zaguan.unizar.es:130926</dc:identifier><dc:relation>info:eu-repo/grantAgreement/ES/MINECO/HAR2014-59042-P</dc:relation><dc:identifier.citation>Quaternary International 421 (2016), 239-254</dc:identifier.citation><dc:rights>by-nc-nd</dc:rights><dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/es/</dc:rights><dc:rights>info:eu-repo/semantics/openAccess</dc:rights></dc:dc>

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