000130995 001__ 130995
000130995 005__ 20240202151703.0
000130995 0247_ $$2doi$$a10.1386/slac_00037_1
000130995 0248_ $$2sideral$$a126496
000130995 037__ $$aART-2021-126496
000130995 041__ $$aeng
000130995 100__ $$0(orcid)0000-0002-3087-4556$$aDeleyto, C$$uUniversidad de Zaragoza
000130995 245__ $$aThe texture of the age: Digital construction of unbounded Space in Birdman (Inarritu 2014)
000130995 260__ $$c2021
000130995 5060_ $$aAccess copy available to the general public$$fUnrestricted
000130995 5203_ $$aLike some of Alejandro Gonzalez Inarritu''s previous films, Birdman or (The Unexpected Virtue of Ignorance) (Inarritu 2014) is an exploration of the place of individuals in the midst of various global forces, in this case, technological, social and cultural globalization. The film''s most relevant formal feature, the digitally created ''long take'', also partakes of the director''s well-known penchant for technological and formal experimentation when telling a story. In Birdman, cinematic form is closely related to its thematic concerns, particularly the impact of technology on global processes. This article explores the confluence between form - digital cinema - and content in Birdman. It looks at the global virtual space created by the internet and social networks and how they affect our sense of being in the world. To this end, the film exploits the possibilities and connotations of the apparently uninterrupted single take that comprises most of the duration of the film and of the composited, digital-realistic space thus created.
000130995 536__ $$9info:eu-repo/grantAgreement/ES/DGA/H23-17R$$9info:eu-repo/grantAgreement/ES/MINECO/FFI2017-83606-P
000130995 540__ $$9info:eu-repo/semantics/openAccess$$aAll rights reserved$$uhttp://www.europeana.eu/rights/rr-f/
000130995 592__ $$a0.102$$b2021
000130995 593__ $$aCommunication$$c2021$$dQ3
000130995 593__ $$aVisual Arts and Performing Arts$$c2021$$dQ3
000130995 593__ $$aMultidisciplinary$$c2021$$dQ3
000130995 594__ $$a0.5$$b2021
000130995 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion
000130995 700__ $$0(orcid)0000-0003-1123-1448$$aAzcona, MD$$uUniversidad de Zaragoza
000130995 7102_ $$13004$$2345$$aUniversidad de Zaragoza$$bDpto. Filolog.Inglesa y Alema.$$cÁrea Filología Inglesa
000130995 773__ $$g18, 1 (2021), 73-88$$tSTUDIES IN SPANISH & LATIN AMERICAN CINEMAS$$x2050-4837
000130995 8564_ $$s321368$$uhttps://zaguan.unizar.es/record/130995/files/texto_completo.pdf$$yVersión publicada
000130995 8564_ $$s1619739$$uhttps://zaguan.unizar.es/record/130995/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada
000130995 909CO $$ooai:zaguan.unizar.es:130995$$particulos$$pdriver
000130995 951__ $$a2024-02-02-14:52:00
000130995 980__ $$aARTICLE