000131112 001__ 131112
000131112 005__ 20240205173707.0
000131112 0247_ $$2doi$$a10.37916/arq.urb.vi35.635
000131112 0248_ $$2sideral$$a136721
000131112 037__ $$aART-2022-136721
000131112 041__ $$adeu
000131112 100__ $$aHeynen, Hilde
000131112 245__ $$aNarrating Women Architects’ Histories. Paradigms, Dilemmas, and Challenges.
000131112 260__ $$c2022
000131112 5060_ $$aAccess copy available to the general public$$fUnrestricted
000131112 5203_ $$aWomen studies in architecture have been inspired by different ways of thinking, which can be summarized in four ‘paradigms’: difference thinking, equality thinking, constructionist thinking and intersectionalist thinking. By revising seminal books, articles and exhibitions, this paper explores the historiographical dilemmas and challenges that narrating women architects’ histories involves, focusing on two of the most relevant ones: the question of authorship and the canonical understanding of the architecture as the design of new architectural objects. The paper discusses the impact of women studies in art on the methodologies used in narrating women architects, but also presents the differences that should be taken into account when exploring the work of women artist and architects.
000131112 540__ $$9info:eu-repo/semantics/openAccess$$aby-nc$$uhttp://creativecommons.org/licenses/by-nc/3.0/es/
000131112 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion
000131112 700__ $$aPérez-Moreno, Lucía
000131112 773__ $$g35 (2022), 110-122$$parq.urb$$tarq.urb$$x1984-5766
000131112 8564_ $$s591195$$uhttps://zaguan.unizar.es/record/131112/files/texto_completo.pdf$$yVersión publicada
000131112 8564_ $$s2093778$$uhttps://zaguan.unizar.es/record/131112/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada
000131112 909CO $$ooai:zaguan.unizar.es:131112$$particulos$$pdriver
000131112 951__ $$a2024-02-05-15:06:22
000131112 980__ $$aARTICLE