000131629 001__ 131629
000131629 005__ 20240212182332.0
000131629 0247_ $$2doi$$a10.46586/ZfK.2022.9-32
000131629 0248_ $$2sideral$$a132520
000131629 037__ $$aART-2022-132520
000131629 041__ $$acat
000131629 100__ $$0(orcid)0000-0002-1770-1167$$aAguilar-Miró, Estel$$uUniversidad de Zaragoza
000131629 245__ $$aInspiració popular i creació literària: uns quants exemples nord-catalans (1883–1960)
000131629 260__ $$c2022
000131629 5060_ $$aAccess copy available to the general public$$fUnrestricted
000131629 5203_ $$aHow have northern Catalan writers used references present in the oral tradition (characters, places, themes and motifs) to recreate them and enrich their creative work? We will see, first, the influence of the tales, or what was left of the half-forgotten traditional tales, in the resumption or, properly said, re-elaboration made by poets such as Caseponce, Pons, Cerdà, Brazès, which allowed them to expand their creation rehearsing another literary genre. Then, looking at poetry, we will highlight the forms in which writers such as Pepratx, Bonafont or Berga merge popular poetry with their own poetic imagination.
000131629 536__ $$9info:eu-repo/grantAgreement/ES/MICIU-FEDER/PGC 2018-093993-B-100
000131629 540__ $$9info:eu-repo/semantics/openAccess$$aby-nc-nd$$uhttp://creativecommons.org/licenses/by-nc-nd/3.0/es/
000131629 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion
000131629 700__ $$aBerthelot, Martine
000131629 7102_ $$13003$$2335$$aUniversidad de Zaragoza$$bDpto. Filología Francesa$$cÁrea Filología Francesa
000131629 773__ $$g35 (2022), 9-32$$tZeitschrift fur Katalanistik$$x1614-7650
000131629 8564_ $$s216430$$uhttps://zaguan.unizar.es/record/131629/files/texto_completo.pdf$$yVersión publicada
000131629 8564_ $$s1134641$$uhttps://zaguan.unizar.es/record/131629/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada
000131629 909CO $$ooai:zaguan.unizar.es:131629$$particulos$$pdriver
000131629 951__ $$a2024-02-12-17:04:41
000131629 980__ $$aARTICLE