145068 20260217205555.0 doi 10.1080/01472526.2024.2383502 sideral 139797 ART-2024-139797 eng Preciado-Azanza, Gonzalo Universidad de Zaragoza (orcid)0000-0001-7743-1691 Cross-cultural Identities: An interdisciplinary analysis of the jota in The Three-Cornered Hat (1919) 2024 Access copy available to the general public Unrestricted This study proposes that the inclusion of the Aragonese jota (a type of folk dance) in The Three-Cornered Hat contributed to interwar transnational modernism. The modern ballet, which opened at the Alhambra Theatre in 1919, featured choreography by Léonide Massine, music by Manuel de Falla, libretto by María Lejárraga, and designs by Pablo Picasso. The jota amplified theories of Spanish philosopher José Ortega y Gasset, who identified cross-cultural exchange as a tool to strengthen a shared identity across the European continent, as well as theories of Gesamtkunstwerk put forward by Richard Wagner, who greatly influenced Falla. info:eu-repo/semantics/openAccess by-nc-nd https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es 0.5 2024 0.145 2024 Visual Arts and Performing Arts 2024 Q2 0.5 2024 info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion Vela, Marta 3007 465 Universidad de Zaragoza Dpto. Historia del Arte Área Historia del Arte 47, 3 (2024), 433-462 Dance Chronicle 0147-2526 399546 http://zaguan.unizar.es/record/145068/files/texto_completo.pdf Postprint 1234624 http://zaguan.unizar.es/record/145068/files/texto_completo.jpg?subformat=icon icon Postprint oai:zaguan.unizar.es:145068 articulos driver 2026-02-17-20:42:05 ARTICLE