147716 20260217205609.0 doi 10.1007/s11061-024-09820-0 sideral 141116 ART-2024-141116 eng Aceituno Martínez, Eduardo Universidad de Zaragoza La herida que sangra en presencia de la amada: evolución de una imagen en la poesía renacentista, de Cetina a D’Aubigné 2024 Access copy available to the general public Unrestricted In the second half of the sixteenth century, various Spanish, Italian and French poets resorted to an image foreign to the usual repertoire of amorous subjects: the wound of the lover begins to bleed due to the proximity of the lady. This reflects a popular belief that the mere presence of the murderer can cause "accusing" blood to ooze from the corpse. The idea is already found in earlier Petrarchists, such as Serafino Aquilano or Bernardo Pulci. In addition to trying to clarify the possible relations of influence between these verses, whose sources have not yet been sufficiently studied in some cases, we will see how the theme seems ideal for bringing out the genius of each poet. Finally, we will allude to a passage from the famous De Amore of Ficino which could explain the origin and success of this motif in European Petrarchan poetry. info:eu-repo/semantics/openAccess All rights reserved http://www.europeana.eu/rights/rr-f/ 0.3 2024 0.226 2024 Literature and Literary Theory 2024 Q1 Linguistics and Language 2024 Q2 0.7 2024 info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion 3003 335 Universidad de Zaragoza Dpto. Filología Francesa Área Filología Francesa 108, 4 (2024), 555-571 Neophilologus 0028-2677 233552 http://zaguan.unizar.es/record/147716/files/texto_completo.pdf Postprint 2067131 http://zaguan.unizar.es/record/147716/files/texto_completo.jpg?subformat=icon icon Postprint oai:zaguan.unizar.es:147716 articulos driver 2026-02-17-20:48:13 ARTICLE