000165204 001__ 165204
000165204 005__ 20251219174251.0
000165204 0247_ $$2doi$$a10.1007/s10963-020-09147-z
000165204 0248_ $$2sideral$$a146782
000165204 037__ $$aART-2020-146782
000165204 041__ $$aeng
000165204 100__ $$0(orcid)0000-0002-2584-9057$$aRuiz-Redondo, Aitor$$uUniversidad de Zaragoza
000165204 245__ $$aBeyond the Bounds of Western Europe: Paleolithic Art in the Balkan Peninsula
000165204 260__ $$c2020
000165204 5060_ $$aAccess copy available to the general public$$fUnrestricted
000165204 5203_ $$aPaleolithic art offers unique perspectives on prehistoric societies and cultures. It is also considered a key component of modern human behavior. Until recently, Paleolithic artworks were thought to be geographically restricted to a very few areas, especially southwestern Europe. Discoveries of art in other parts of Europe and other parts of the globe have challenged this vision, expanding the documented distribution of this important cultural phenomenon. As a consequence, there has been renewed interest in less well-known areas, with the goal of determining whether the current lack of art is a reflection of a past reality, the product of limited research, or a matter of preservation. One of these regions is the Balkan Peninsula, a key area for understanding Upper Paleolithic societies given its location at the crossroads of several migration routes into Europe. This article provides a comprehensive overview of the Paleolithic symbolic products, including both rock art and portable art from the Balkans. Recent research has led to new discoveries and insights into the symbolism of this long-neglected area. The present review, combining existing literature and new fieldwork, sheds new light on social and cultural interactions in this part of the continent and leads to a better understanding of its role within the European Upper Paleolithic cultural sphere.
000165204 540__ $$9info:eu-repo/semantics/openAccess$$aAll rights reserved$$uhttp://www.europeana.eu/rights/rr-f/
000165204 590__ $$a3.24$$b2020
000165204 591__ $$aANTHROPOLOGY$$b11 / 88 = 0.125$$c2020$$dQ1$$eT1
000165204 592__ $$a1.887$$b2020
000165204 593__ $$aArcheology$$c2020$$dQ1
000165204 593__ $$aArts and Humanities (miscellaneous)$$c2020$$dQ1
000165204 593__ $$aArcheology (arts and humanities)$$c2020$$dQ1
000165204 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/acceptedVersion
000165204 700__ $$aGarate, Diego
000165204 700__ $$aGonzález-Morales, Manuel R.
000165204 700__ $$aJankovic, Ivor
000165204 700__ $$aJaubert, Jacques
000165204 700__ $$aKaravanic, Ivor
000165204 700__ $$aKomšo, Darko
000165204 700__ $$aKuhn, Steven L.
000165204 700__ $$aMihailovic, Dušan
000165204 700__ $$aMoro Abadía, Óscar
000165204 700__ $$aVander Linden, Marc
000165204 700__ $$aVukosavljevic, Nikola
000165204 7102_ $$13000$$2695$$aUniversidad de Zaragoza$$bDpto. Ciencias de la Antigüed.$$cÁrea Prehistoria
000165204 773__ $$g33, 4 (2020), 425-455$$pJ. world prehist.$$tJournal of world prehistory$$x0892-7537
000165204 8564_ $$s5177160$$uhttps://zaguan.unizar.es/record/165204/files/texto_completo.pdf$$yPostprint
000165204 8564_ $$s1454595$$uhttps://zaguan.unizar.es/record/165204/files/texto_completo.jpg?subformat=icon$$xicon$$yPostprint
000165204 909CO $$ooai:zaguan.unizar.es:165204$$particulos$$pdriver
000165204 951__ $$a2025-12-19-14:42:58
000165204 980__ $$aARTICLE