000169471 001__ 169471
000169471 005__ 20260227161655.0
000169471 020__ $$a978-3-031-50509-6
000169471 0247_ $$2doi$$a10.1007/978-3-031-50510-2_15
000169471 037__ $$aBOOK-2026-232
000169471 041__ $$aeng
000169471 100__ $$aMartín, Mónica$$b
000169471 245__ $$aThe Unspoken Gender of Apocalypse: Patriarchal Realism and Ecofeminist Hope in Twenty-First-Century Post-apocalyptic Cinema
000169471 260__ $$aCham$$bPalgrave Macmillan$$c2024
000169471 300__ $$a253-269
000169471 500__ $$aPostprint. Research towards this chapter was funded by the Spanish Ministry of Science and Innovation (grant PID2021-123836NB-100).
000169471 506__ $$aall-rights-reserved
000169471 520__ $$aThis chapter seeks to spotlight the big elephant in the room of cinematic apocalypse—patriarchal culture—one that only replicates the pachyderm presiding over our apocalyptic drifting offscreen in the so-called, deceptively gender-neutral, Anthropocene. Drawing on utopian scholarship, contemporary sociology and film studies, this chapter looks closely at collapsing patriarchal-capitalist imaginaries and promising ecofeminist alternatives in twenty-first-century post-apocalyptic films such as Children of Men, Interstellar and Mad Max: Fury Road, among others. In the light of Ruth Levitas’s Utopia as Method (2013), film analysis prompts reflection on how the archaeological evaluation of apocalyptic rubble must help emancipate utopian architectural speculation and the future from patriarchal realism.
000169471 540__ $$9info:eu-repo/semantics/openAccess
000169471 773__ $$tPost-Apocalyptic Cultures: New Political Imaginaries After the Collapse of Modernity
000169471 8560_ $$flplumed@unizar.es
000169471 8564_ $$uhttps://zaguan.unizar.es/record/169471/files/BOOK-2026-232.pdf$$zTexto completo
000169471 909CO $$ooai:zaguan.unizar.es:169471$$pbooks
000169471 980__ $$aBOOK$$bCAPITULOS$$b