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<dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:invenio="http://invenio-software.org/elements/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:language>eng</dc:language><dc:creator>Oliete Aldea, Elena</dc:creator><dc:creator>Cornut-Gentille D'Arcy, Chantal</dc:creator><dc:title>Filmic representations of the british Raj in the 1980s: Cultural identity, otherness and hybridity</dc:title><dc:identifier>TESIS-2009-057</dc:identifier><dc:description>This thesis is devoted to the analysis of the Raj films produced in Britain during the 1980s, namely: Heat and Dust (Ivory, 1982), Gandhi (Attenborough, 1982) and A Passage and to India (Lean, 1984), and the TV series The Jewel in the Crown (1982) and The Far Pavilions (1984).  As a genre, this kind of film has often been accused of promoting an old-fashioned notion of British identity, based on those Victorian values of the past. On the other hand, I believe that a close analysis of the films may reveal a certain degree of criticism of the past as well as traces of dissatisfaction with the present, especially in terms of ethnic and gender relationships. Hence, what I try to demonstrate, or rather explore, is the presence of different discourses in these productions, their complexity and ambivalence and their cultural importance in both reflecting and constructing – or  refracting – the social reality of their historical context. </dc:description><dc:publisher>Universidad de Zaragoza</dc:publisher><dc:date>2009</dc:date><dc:source>http://zaguan.unizar.es/record/3260</dc:source><dc:identifier>http://zaguan.unizar.es/record/3260</dc:identifier><dc:identifier>oai:zaguan.unizar.es:3260</dc:identifier></dc:dc>

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