<?xml version="1.0" encoding="UTF-8"?>
<references>
<reference>
  <rt>Dissertation/Thesis</rt>
  <jo>Tesis de la Universidad de Zaragoza</jo>
  <a1>Oliete Aldea, Elena</a1>
  <a2>Cornut-Gentille D'Arcy, Chantal</a2>
  <t1>Filmic representations of the british Raj in the 1980s: Cultural identity, otherness and hybridity</t1>
  <t2/>
  <sn>978-84-692-3176-0</sn>
  <op/>
  <vo/>
  <ab>This thesis is devoted to the analysis of the Raj films produced in Britain during the 1980s, namely: Heat and Dust (Ivory, 1982), Gandhi (Attenborough, 1982) and A Passage and to India (Lean, 1984), and the TV series The Jewel in the Crown (1982) and The Far Pavilions (1984).  As a genre, this kind of film has often been accused of promoting an old-fashioned notion of British identity, based on those Victorian values of the past. On the other hand, I believe that a close analysis of the films may reveal a certain degree of criticism of the past as well as traces of dissatisfaction with the present, especially in terms of ethnic and gender relationships. Hence, what I try to demonstrate, or rather explore, is the presence of different discourses in these productions, their complexity and ambivalence and their cultural importance in both reflecting and constructing – or  refracting – the social reality of their historical context. </ab>
  <la>eng</la>
  <k1/>
  <pb>Universidad de Zaragoza</pb>
  <pp>Zaragoza</pp>
  <py>2009</py>
  <yr>2009</yr>
  <ed/>
  <ul>http://zaguan.unizar.es/record/3260/files/TESIS-2009-057.pdf;
	</ul>
  <no>Imported from Invenio.</no>
</reference>

</references>