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<dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:invenio="http://invenio-software.org/elements/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.1590/2237-266052368</dc:identifier><dc:language>eng</dc:language><dc:creator>Pérez Royo, Victoria</dc:creator><dc:title>About Research in the Arts: a lover’s discourse</dc:title><dc:identifier>ART-2015-93795</dc:identifier><dc:description>This paper is the result of an exercise of experimental re-writing and analogical thinking which had as an aim to open a new perspective on research in the arts. In terms of method, the different figures of love in Barthes' A Lover's Discourse are forced to talk about the relationship of researcher and object of study. This analogy allows us to find quality parameters based on a scale of values different to the hegemonic ones in the academy (productivity, competitiveness, innovation). These new parameters might constitute a solid ontological basis to build a new politics of artistic research in the academy that allow a radical reconsideration of processes of artistic research.</dc:description><dc:date>2015</dc:date><dc:source>http://zaguan.unizar.es/record/48430</dc:source><dc:doi>10.1590/2237-266052368</dc:doi><dc:identifier>http://zaguan.unizar.es/record/48430</dc:identifier><dc:identifier>oai:zaguan.unizar.es:48430</dc:identifier><dc:identifier.citation>Revista Brasileira de Estudos da Presença 5, 3 (2015), 533-558</dc:identifier.citation><dc:rights>by</dc:rights><dc:rights>http://creativecommons.org/licenses/by/3.0/es/</dc:rights><dc:rights>info:eu-repo/semantics/openAccess</dc:rights></dc:dc>

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