engPérez Royo, VictoriaGhostly bodiesART-2016-99498What are you currently working on? It is a reconstruction of a dance piece? Fabián Barba: This january I started working on a new project, A personal yet collective history. The starting point was to reflect on how through my educati n I’ve been put in contact with the history of dance and how I have internalized a part of it. Instead of looking for a flow of information from the outside to the inside - from the archives to the embodiment as in the case of A Mary Wigman Dance Evening (AMWDE)- I wanted to look for that which was already (in) there (learnt techniques, images, ideas, pleasures) to put them later in relation with a larger dance history (out there). In that sense reconstruction doesn’t seem so far to be the most appropriate methodology, though it’s too early for me to know for sure. VPR: In this sense you are working with a noti on of the body as an archive of learnt and embodied techniques and movement languages, which could be related to Paul Ricoueur’s habit-memory: that memory created by repetition and which works in a kind of pseudoautomatism, as when one recites a text or a poem one has learnt as a child. Because of this automatism this kind of memory, opposed to the imaginative one, in ...2016http://zaguan.unizar.es/record/61618http://zaguan.unizar.es/record/61618oai:zaguan.unizar.es:61618A.DNZ 2 (2016), 123-127byhttp://creativecommons.org/licenses/by/3.0/es/info:eu-repo/semantics/openAccess