61868 20170725141525.0 sideral 100458 ART-2015-100458 eng (orcid)0000-0003-4500-5182 Lorente Lorente, Jesús Pedro Universidad de Zaragoza Neoclassical cultural districts marked by antiquities. the zenith and decay of their display between museum space and city space 2015 Access copy available to the general public Unrestricted Neoclassicism still determines our idea of museums, especially with regard to their architecture; but the policies implemented at the time concerning the display of antiquities in the vicinity of museums were also to be very influential in the long term. During the Enlightenment, the first museums of art and archaeology were often preceded by public displays of classical monuments assembled in porticoes and courtyards, sculpture gardens more or less accessible to visitors and other spaces of intermediation surrounding art institutions. As the nineteenth century advanced, that tradition was reinterpreted in such open-air environments, substituting ancient sculptures by new statues made in classical materials and attitudes. Recently, some postmodern practices have returned to the installation of ancient art works in front of museums. info:eu-repo/grantAgreement/ES/MINECO/HAR2012-38899-C02-01 info:eu-repo/semantics/openAccess by-nc http://creativecommons.org/licenses/by-nc/3.0/es/ info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 3007 465 Universidad de Zaragoza Departamento de Historia del Arte Historia del Arte 4 (2015), 33-50 MDCCC 1800 MDCCC 1800 2280-8841 http://edizionicafoscari.unive.it/it/edizioni/riviste/mdccc-1800/2015/4/neoclassical-cultural-districts-marked-by-antiquit/ Texto completo de la revista 634484 http://zaguan.unizar.es/record/61868/files/texto_completo.pdf Versión publicada 108690 http://zaguan.unizar.es/record/61868/files/texto_completo.jpg?subformat=icon icon Versión publicada oai:zaguan.unizar.es:61868 articulos driver 2017-07-25-08:16:10 ARTICLE