| Página principal > Artículos > Liquid Cinematography and the Representation of Viral Threats in Alfonso Cuarón’s Children of Men > MARC |
000063416 001__ 63416 000063416 005__ 20210121114523.0 000063416 0248_ $$2sideral$$a102310 000063416 037__ $$aART-2015-102310 000063416 041__ $$aeng 000063416 100__ $$0(orcid)0000-0002-3483-5271$$aEcheverría Domingo, Julia 000063416 245__ $$aLiquid Cinematography and the Representation of Viral Threats in Alfonso Cuarón’s Children of Men 000063416 260__ $$c2015 000063416 5060_ $$aAccess copy available to the general public$$fUnrestricted 000063416 5203_ $$aRecent cinema has been a reliable purveyor of dystopian tales that focus on the global spread of viruses. The anxiety and fascination over the end of the world and, in particular, over the invasion of infectious pathogens has turned these films into apt modes of expression of a post-9/11 context of pervasive fear that sociologists like Ulrich Beck have termed “world risk society.” This article provides a close textual analysis of one of these films, Alfonso Cuarón’s Children of Men (2006), situating it at the forefront of this trend. Following Zygmunt Bauman’s notion of liquid fear, this article aims to explore how the visual language of the long take and the continuous superposition of intertextual references help to construct a liquid space and time in which viral threats, like epidemics and immunological fear mongering discourses on terrorism and migration, easily proliferate. The infertility epidemic works as a suitable metaphor of this liquid environment, representing not only the barren malaise of our globalized times but also every invisible fear that spreads across borders, invades and segregates individuals into healthy Us and contaminated and dehumanized Others. 000063416 536__ $$9info:eu-repo/grantAgreement/ES/DGA/H12$$9info:eu-repo/grantAgreement/ES/MEC/AP2009-3440$$9info:eu-repo/grantAgreement/ES/MINECO/FFI2010-15312 000063416 540__ $$9info:eu-repo/semantics/openAccess$$aAll rights reserved$$uhttp://www.europeana.eu/rights/rr-f/ 000063416 590__ $$a0.029$$b2015 000063416 591__ $$aLINGUISTICS$$b176 / 181 = 0.972$$c2015$$dQ4$$eT3 000063416 592__ $$a0.122$$b2015 000063416 593__ $$aLiterature and Literary Theory$$c2015$$dQ2 000063416 593__ $$aLinguistics and Language$$c2015$$dQ3 000063416 593__ $$aCultural Studies$$c2015$$dQ3 000063416 593__ $$aLanguage and Linguistics$$c2015$$dQ3 000063416 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion 000063416 773__ $$g37, 2 (2015), 137-153$$pAtlantis rev. Asoc. esp. Estud. Anglo-Norteam.$$tATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES$$x0210-6124 000063416 85641 $$uhttps://www.atlantisjournal.org/index.php?journal=atlantis&page=article&op=view&path%5B%5D=271&path%5B%5D=146$$zTexto completo de la revista 000063416 8564_ $$s1012515$$uhttps://zaguan.unizar.es/record/63416/files/texto_completo.pdf$$yVersión publicada 000063416 8564_ $$s52503$$uhttps://zaguan.unizar.es/record/63416/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada 000063416 909CO $$ooai:zaguan.unizar.es:63416$$particulos$$pdriver 000063416 951__ $$a2021-01-21-11:04:19 000063416 980__ $$aARTICLE
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