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<dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:invenio="http://invenio-software.org/elements/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.1093/isle/isy087</dc:identifier><dc:language>eng</dc:language><dc:creator>Luzón-Aguado, V.</dc:creator><dc:title>Who are the pirates? Somali piracy and environmental justice in Alakrana, Stolen Seas and Captain Phillips</dc:title><dc:identifier>ART-2019-111599</dc:identifier><dc:description>This article seeks to analyze three interrelated texts, specifically theSpanish miniseriesAlakrana(2011), the independent US documentaryfilmStolen Seas, and the Hollywood big-budget productionCaptainPhillips(2013), which, though produced in very different contexts, dealt with comparable transnational issues. All three of them werebased on real events, namely the hijacking of a merchant boat or fishingtrawler by Somali pirates in the Indian Ocean. This analysis will be pri-marily carried out from an ecocritical perspective but will also takeinto account the ways in which different generic parameters, in...</dc:description><dc:date>2019</dc:date><dc:source>http://zaguan.unizar.es/record/79045</dc:source><dc:doi>10.1093/isle/isy087</dc:doi><dc:identifier>http://zaguan.unizar.es/record/79045</dc:identifier><dc:identifier>oai:zaguan.unizar.es:79045</dc:identifier><dc:relation>info:eu-repo/grantAgreement/ES/DGA/H12</dc:relation><dc:relation>info:eu-repo/grantAgreement/ES/MINECO/FFI2013-40769-P</dc:relation><dc:identifier.citation>ISLE Interdisciplinary Studies in Literature and Environment 26, 1 (2019), 189-210</dc:identifier.citation><dc:rights>All rights reserved</dc:rights><dc:rights>http://www.europeana.eu/rights/rr-f/</dc:rights><dc:rights>info:eu-repo/semantics/openAccess</dc:rights></dc:dc>

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