<?xml version="1.0" encoding="UTF-8"?>
<collection>
<dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:invenio="http://invenio-software.org/elements/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:language>spa</dc:language><dc:creator>Vidagañ Murgui, María Isabel</dc:creator><dc:title>El Dr. Truna y las conexiones subacuáticas</dc:title><dc:identifier>ART-2019-111647</dc:identifier><dc:description>En este artículo se pretende hacer una aproximación al trabajo del artista Dr. Truna (Andrés Blasco). Se trata de un creador difícilmente clasi cable, puesto que se sitúa en diferentes campos artísticos, como son la escultura, el arte sonoro y las artes de acción. Esta aproximación se realiza mediante una serie de conexiones que pretenden establecer un retrato de Andrés Blasco, su metodología creativa y su práctica artística.

In this article we intend to make an approach to the artist Dr. Truna (Andrés Blasco). It is a difficult to classify this creator, because it is located in different artistic fields such as sculpture, sound art and action arts. This approach is made through a series of connections that aim to establish a portrait of Andrés Blasco, his creative methodology and his artistic practice. Falta
comprobar la traducción.</dc:description><dc:date>2019</dc:date><dc:source>http://zaguan.unizar.es/record/79347</dc:source><dc:identifier>http://zaguan.unizar.es/record/79347</dc:identifier><dc:identifier>oai:zaguan.unizar.es:79347</dc:identifier><dc:identifier.citation>Revista croma 7, 13 (2019), 64-71</dc:identifier.citation><dc:rights>by-nc</dc:rights><dc:rights>http://creativecommons.org/licenses/by-nc/3.0/es/</dc:rights><dc:rights>info:eu-repo/semantics/openAccess</dc:rights></dc:dc>

</collection>