000088444 001__ 88444
000088444 005__ 20210902121559.0
000088444 0247_ $$2doi$$a10.1080/15583058.2019.1602683
000088444 0248_ $$2sideral$$a111541
000088444 037__ $$aART-2020-111541
000088444 041__ $$aeng
000088444 100__ $$0(orcid)0000-0002-8321-2396$$aLapuente Mercadal, Pilar$$uUniversidad de Zaragoza
000088444 245__ $$aMarble Pieces in the Romanesque Portal of Glory of the Santiago de Compostela Cathedral. New Data through a Multi-Analytical Approach
000088444 260__ $$c2020
000088444 5060_ $$aAccess copy available to the general public$$fUnrestricted
000088444 5203_ $$aProbably the most important Romanesque artwork in Spain, the Portal of Glory of Santiago de Compostela is essentially made in granite, the most abundant stone in the NW of Iberia, with the only exception of five marble pieces. Different hypothesis on the origin of these marbles have previously been proposed based on visual assessment or by directly assuming a local source. To shed light on their quarry provenance, a multi-analytical study was performed combining polarized-light optical microscopy, cathodoluminescence microscopy, XRPD, SEM-EDS and stable C and O isotopes. The comparison of the results with the available databases reveals the use of marbles from the Estremoz Anticline (Portugal) in the three exquisitely carved columns strategically placed in the central arcade, whereas the other two pieces are local marbles, illustrating a more complex consumption of this noble material than that initially expected.
000088444 536__ $$9info:eu-repo/grantAgreement/ES/DGA/E20-17R$$9info:eu-repo/grantAgreement/ES/MINECO/HAR2011-25011$$9info:eu-repo/grantAgreement/ES/MINECO/HAR2015-65319-P
000088444 540__ $$9info:eu-repo/semantics/openAccess$$aAll rights reserved$$uhttp://www.europeana.eu/rights/rr-f/
000088444 590__ $$a2.58$$b2020
000088444 591__ $$aENGINEERING, CIVIL$$b63 / 136 = 0.463$$c2020$$dQ2$$eT2
000088444 591__ $$aCONSTRUCTION & BUILDING TECHNOLOGY$$b35 / 66 = 0.53$$c2020$$dQ3$$eT2
000088444 592__ $$a0.718$$b2020
000088444 593__ $$aArchitecture$$c2020$$dQ1
000088444 593__ $$aVisual Arts and Performing Arts$$c2020$$dQ1
000088444 593__ $$aConservation$$c2020$$dQ1
000088444 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/acceptedVersion
000088444 700__ $$aSavin, Marie Claire
000088444 700__ $$aGonzález Soutelo, Silvia
000088444 700__ $$aGutiérrez Garcia-M, Anna
000088444 700__ $$aChapoulie, Rémy
000088444 700__ $$aLaborde Marqueze, Ana
000088444 700__ $$aPérez García, Pedro Pablo
000088444 7102_ $$12000$$2685$$aUniversidad de Zaragoza$$bDpto. Ciencias de la Tierra$$cÁrea Petrología y Geoquímica
000088444 773__ $$g14, 8 (2020), 1239-1251$$pInternational Journal of Architectural Heritage$$tInternational Journal of Architectural Heritage$$x1558-3058
000088444 8564_ $$s1563642$$uhttps://zaguan.unizar.es/record/88444/files/texto_completo.pdf$$yPostprint
000088444 8564_ $$s349837$$uhttps://zaguan.unizar.es/record/88444/files/texto_completo.jpg?subformat=icon$$xicon$$yPostprint
000088444 909CO $$ooai:zaguan.unizar.es:88444$$particulos$$pdriver
000088444 951__ $$a2021-09-02-08:34:15
000088444 980__ $$aARTICLE