000118196 001__ 118196 000118196 005__ 20240319081020.0 000118196 0247_ $$2doi$$a10.3389/fpsyg.2022.923452 000118196 0248_ $$2sideral$$a129585 000118196 037__ $$aART-2022-129585 000118196 041__ $$aeng 000118196 100__ $$aHerrero, Laura 000118196 245__ $$aEditorial: Cognition and Music Performance 000118196 260__ $$c2022 000118196 5060_ $$aAccess copy available to the general public$$fUnrestricted 000118196 540__ $$9info:eu-repo/semantics/openAccess$$aby$$uhttp://creativecommons.org/licenses/by/3.0/es/ 000118196 590__ $$a3.8$$b2022 000118196 592__ $$a0.891$$b2022 000118196 591__ $$aPSYCHOLOGY, MULTIDISCIPLINARY$$b34 / 147 = 0.231$$c2022$$dQ1$$eT1 000118196 593__ $$aPsychology (miscellaneous)$$c2022$$dQ2 000118196 594__ $$a4.5$$b2022 000118196 655_4 $$ainfo:eu-repo/semantics/article$$vinfo:eu-repo/semantics/publishedVersion 000118196 700__ $$aLopez-Iniguez, Guadalupe 000118196 700__ $$aCasanova, Oscar 000118196 700__ $$0(orcid)0000-0003-0088-2261$$aZarza-Azulgaray, Francisco Javier$$uUniversidad de Zaragoza 000118196 700__ $$aMcPherson, Gary Edward 000118196 7102_ $$13001$$2189$$aUniversidad de Zaragoza$$bDpto. Expres.Music.Plást.Corp.$$cÁrea Didáctica Expres. Musical 000118196 773__ $$g13 (2022), 923452 [3 pp]$$pFront. psychol.$$tFrontiers in Psychology$$x1664-1078 000118196 8564_ $$s131862$$uhttps://zaguan.unizar.es/record/118196/files/texto_completo.pdf$$yVersión publicada 000118196 8564_ $$s2459169$$uhttps://zaguan.unizar.es/record/118196/files/texto_completo.jpg?subformat=icon$$xicon$$yVersión publicada 000118196 909CO $$ooai:zaguan.unizar.es:118196$$particulos$$pdriver 000118196 951__ $$a2024-03-18-16:04:39 000118196 980__ $$aARTICLE