Resumen: This article analyses Jamaica Kincaid’s autobiographical novel See Now Then through the metaphor of the palimpsest with the aim of exploring the frictions between the different generic and thematic layers that make up the text. It argues that despite the novel’s generic openness, its thematic concerns, most notably its treatment of time and narrative temporality, encourage a backward-looking stance that reasserts the past. The theories of Sarah Dillon and Lene Johannessen on the nature of palimpsests, especially the difference between the palimpsestic and the palimpsestuous and the interaction between the horizontal and the vertical, the new and the old, will be drawn upon in conjunction with Leigh Gilmore’s investigations into limit case autobiographies – works, like Kin- caid’s, that question the borders between fiction and life-writing under the pressure of traumatic experiences. Idioma: Inglés DOI: 10.7311/0860-5734.31.1.06 Año: 2022 Publicado en: Anglica 31, 1 (2022), 107-123 ISSN: 0860-5734 Factor impacto CITESCORE: 0.2 - Arts and Humanities (Q3) - Social Sciences (Q4)