Sobre garabatos de criados, danzantes y presos: a propósito de nuevos testimonios en Bulbuente, Castejón de Monegros y Crivillén
Jiménez López, Jorge (Universidad de Zaragoza) ; Buil Pallás, Belén ; Adell Lázaro, Elena
Resumen: Durante las últimas décadas, se ha recuperado el interés por las incisiones y dibujos de los muros carcelarios aragoneses realizados por sus malavenidos huéspedes. El artículo parte de las relaciones entre estos trazos y los garabatos marginales de los libros, tomando como referencia la propuesta de Gombrich acerca de esta singular creación automática que frecuentemente se encuentra motivada por un estado de aburrimiento. En semejante trance afloran todo tipo de imágenes y expresiones, entre ellas, recuerdos del lugar de origen, fiestas populares, motivos espirituales o simples elementos repetitivos que propician la focalización del pensamiento y, en consecuencia, la evasión; como se expone a través de los testimonios inéditos de tres localidades.
During the last decades, the interest in the incisions and drawings on the Aragonese prison walls have recovered the interest made by their unfortunate guests. The article starts from the relationship between these traces and the marginal scribbles in books, taking as a reference Gombrich’s proposal about this singular automatic creation that is frequently motivated by a state of boredom. In such a trance, all kinds of images and expressions emerge, including memories of the place of origin, popular festivals, spiritual motifs or simple repetitive elements that favour the focusing of thought and, consequently, evasion, as is shown through unpublished testimonies from three localities.
Keywords historical graffiti, prison, boredom, scribbles, written culture.
Idioma: Español
DOI: 10.26754/ojs_artigrama/artigrama.20233810759
Año: 2024
Publicado en: Artigrama 38 (2024), 117-137
ISSN: 0213-1498
Tipo y forma: Article (Published version)
Área (Departamento): Área Historia del Arte (Dpto. Historia del Arte)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes.
Exportado de SIDERAL (2024-11-29-13:24:10)
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During the last decades, the interest in the incisions and drawings on the Aragonese prison walls have recovered the interest made by their unfortunate guests. The article starts from the relationship between these traces and the marginal scribbles in books, taking as a reference Gombrich’s proposal about this singular automatic creation that is frequently motivated by a state of boredom. In such a trance, all kinds of images and expressions emerge, including memories of the place of origin, popular festivals, spiritual motifs or simple repetitive elements that favour the focusing of thought and, consequently, evasion, as is shown through unpublished testimonies from three localities.
Keywords historical graffiti, prison, boredom, scribbles, written culture.
Idioma: Español
DOI: 10.26754/ojs_artigrama/artigrama.20233810759
Año: 2024
Publicado en: Artigrama 38 (2024), 117-137
ISSN: 0213-1498
Tipo y forma: Article (Published version)
Área (Departamento): Área Historia del Arte (Dpto. Historia del Arte)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes. Exportado de SIDERAL (2024-11-29-13:24:10)
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Record created 2024-11-29, last modified 2024-11-29