| TAZ-TFG-2023-1640 |
Théâtre D'opéra Spatial: IA en el arte
Chouza López, José María
Canavera, Julien (dir.)
Universidad de Zaragoza,
FFYL,
2023
Filosofía department, Estética y Teoría de las Artes area
Graduado en Filosofía
Tipo de Trabajo Académico: Trabajo Fin de Grado
Notas: Resumen en inglés: In this essay, I will try to provide a new approach to the debate that arises regarding the ability of Artificial Intelligence to create art. To do so, I will take the award-winning work Théâtre D'opéra Spatial as an example and reference point, and analyze everything that happened surrounding it after learning that it was the creation of an AI. I will examine the relationship between AI and its work, leading to a new debate in which we must question whether AI is merely a tool or can be classified as an artist. This determination will be crucial, and depending on the approach, it will have different consequences for the future of aesthetics. After this analysis, we will delve into the AI's own creations, once again asking ourselves if those works are art. We can provide various answers based on the path we have chosen previously. Finally, we will stop to analyze the sense of strangeness that the works created by an AI can evoke. Throughout the work, I will also question the categories of art and authorship, as well as the more essentialist positions regarding them, and establish a social and aesthetic conception of the consideration of AI in art, whether as an author or a tool, drawing connections with authors such as Kuhn or Ortega y Gasset.
Notas: Resumen en inglés: In this essay, I will try to provide a new approach to the debate that arises regarding the ability of Artificial Intelligence to create art. To do so, I will take the award-winning work Théâtre D'opéra Spatial as an example and reference point, and analyze everything that happened surrounding it after learning that it was the creation of an AI. I will examine the relationship between AI and its work, leading to a new debate in which we must question whether AI is merely a tool or can be classified as an artist. This determination will be crucial, and depending on the approach, it will have different consequences for the future of aesthetics. After this analysis, we will delve into the AI's own creations, once again asking ourselves if those works are art. We can provide various answers based on the path we have chosen previously. Finally, we will stop to analyze the sense of strangeness that the works created by an AI can evoke. Throughout the work, I will also question the categories of art and authorship, as well as the more essentialist positions regarding them, and establish a social and aesthetic conception of the consideration of AI in art, whether as an author or a tool, drawing connections with authors such as Kuhn or Ortega y Gasset.
Permalink:
El registro pertenece a las siguientes colecciones:
trabajos-academicos-universidad-zaragoza > centro > facultad-de-filosofia-y-letras
trabajos-academicos-universidad-zaragoza > trabajos-fin-grado