000161901 001__ 161901
000161901 005__ 20251017144635.0
000161901 0247_ $$2doi$$a10.1080/15290824.2021.1910922
000161901 0248_ $$2sideral$$a130356
000161901 037__ $$aART-2022-130356
000161901 041__ $$aeng
000161901 100__ $$0(orcid)0000-0001-7743-1691$$aPreciado-Azanza, Gonzalo$$uUniversidad de Zaragoza
000161901 245__ $$a(Re:) Claiming Ballet
000161901 260__ $$c2022
000161901 5060_ $$aAccess copy available to the general public$$fUnrestricted
000161901 540__ $$9info:eu-repo/semantics/openAccess$$aby-nc-nd$$uhttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
000161901 592__ $$a0.345$$b2022
000161901 593__ $$aVisual Arts and Performing Arts$$c2022$$dQ1
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000161901 594__ $$a1.5$$b2022
000161901 655_4 $$ainfo:eu-repo/semantics/other$$vinfo:eu-repo/semantics/acceptedVersion
000161901 7102_ $$13007$$2465$$aUniversidad de Zaragoza$$bDpto. Historia del Arte$$cÁrea Historia del Arte
000161901 773__ $$g22, 4 (2022), 278–279$$tJournal of Dance Education$$x1529-0824
000161901 8564_ $$s109104$$uhttps://zaguan.unizar.es/record/161901/files/texto_completo.pdf$$yPostprint
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000161901 951__ $$a2025-10-17-14:28:25
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