Haunting photographs and temporal landscapes: Remembering through traces in La idea de un lago/The Idea of a Lake (Mumenthaler 2016)
Resumen: This article explores the links between memory and materiality in the Argentine film La idea de un lago/The Idea of a Lake. It assumes that material memory, understood as the process of remembrance that results from the engagement with material traces of the past (objects, places, landscapes), is a recurrent trope by which contemporary documentary filmmakers criticize official discourses on memory from the Kirchners’s era. In this context, it reads La idea de un lago as a fictional text that performs this mode by using photographs and landscape – as those traces of the past that bring it to the present – to embody the conflicting relationship that children of the disappeared hold with the traumatic absence of a parent. At the level of cultural memory, this translates into a narrative of the dictatorship that does not problematize – as non-fictional work did – but rather reinforces kirchnerist politics of memory.
Idioma: Inglés
DOI: 10.1386/slac_00101_1
Año: 2024
Publicado en: STUDIES IN SPANISH & LATIN AMERICAN CINEMAS 20, 1 (2024), 23-39
ISSN: 2050-4837

Factor impacto SCIMAGO: 0.105 - Visual Arts and Performing Arts (Q3) - Multidisciplinary (Q4) - Communication (Q4) - Cultural Studies (Q4)

Financiación: info:eu-repo/grantAgreement/ES/DGA/H23-20R
Financiación: info:eu-repo/grantAgreement/ES/MICINN/FPU19-03436
Financiación: info:eu-repo/grantAgreement/ES/MICINN/PID2021-123836NB-I00
Tipo y forma: Article (Published version)
Área (Departamento): Área Filología Inglesa (Dpto. Filolog.Inglesa y Alema.)

Creative Commons You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.


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