Resumen: This paper is the result of an exercise of experimental re-writing and analogical thinking which had as an aim to open a new perspective on research in the arts. In terms of method, the different figures of love in Barthes' A Lover's Discourse are forced to talk about the relationship of researcher and object of study. This analogy allows us to find quality parameters based on a scale of values different to the hegemonic ones in the academy (productivity, competitiveness, innovation). These new parameters might constitute a solid ontological basis to build a new politics of artistic research in the academy that allow a radical reconsideration of processes of artistic research.
Idioma: Inglés
DOI: 10.1590/2237-266052368
Año: 2015
Publicado en: Revista Brasileira de Estudos da Presença 5, 3 (2015), 533-558
ISSN: 2237-2660
Tipo y forma: Article (Published version)
Área (Departamento): Estética y Teoría de las Artes (Departamento de Filosofía)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
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Idioma: Inglés
DOI: 10.1590/2237-266052368
Año: 2015
Publicado en: Revista Brasileira de Estudos da Presença 5, 3 (2015), 533-558
ISSN: 2237-2660
Tipo y forma: Article (Published version)
Área (Departamento): Estética y Teoría de las Artes (Departamento de Filosofía)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. Exportado de SIDERAL (2016-04-19-14:36:46)
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Articles > Artículos por área > Estética y Teoría de las Artes
Record created 2016-04-19, last modified 2016-10-06