Las representaciones levantinas de bovinos de la casa forestal de Tormón (Teruel): Ceja de Piezarrodilla y Cerrada del tío Jorge
Bea Martínez, M. ; Angás Pajas, J.
Resumen: Se presenta el análisis, mediante nuevas técnicas de documentación, de dos de los conjuntos rupestres con figuras de bóvidos levantinas más destacadas de la Sierra de Albarracín: Ceja de Piezarrodilla y Cerrada del Tío Jorge. Pasados más de 30 años desde el último estudio exhaustivo realizado sobre estos conjuntos, el tratamiento digital de la imagen nos ha permitido no sólo documentar mejor las representaciones, sino ofrecer una nueva lectura relativa a la conservación de las pinturas en determinados motivos, apuntando al crecimiento de agentes bióticos sobre los pigmentos del toro de Ceja de Piezarrodilla.
El reestudio de los conjuntos rupestres de la zona, junto al realizado sobre nuevos abrigos recientemente descubiertos, ha permitido establecer paralelos temáticos y estilísticos que subrayan la conformación en la Sierra de Albarracín de un verdadero núcleo rupestre con particularidades que poco tienen que ver con el arte levantino propio de otras áreas geográficas.
A new analysis on two of the most interesting rock-art shelters of the mountain range of Albarracín is presented. New documentation techniques have been used on the study. It has been more than 30 years since the last exhaustive study carried on these sites, the digital enhancement of the images has allow us to have not only a better documentation of the motifs but also offer a new reading relating to the preservation of the paintings. In this way, we point out that one the re-painted of the bull from Ceja de Piezarrodilla could be, in fact, a biotic agent growing over the painting. The re-study of the rock-art sites of the area, also with the new rock-art shelters recently found, allow us to establish thematic and stylistic parallels that highlight the formation of a real rock-art nucleus in the mountain range of Albarracín with some particularities that have little to do with the Levantine rock-art in other areas.
Idioma: Español
DOI: 10.14201/zephyrus2015757384
Año: 2015
Publicado en: Zephyrus 75 (2015), 73-84
ISSN: 0514-7336
Factor impacto SCIMAGO: 0.525 - Archeology (Q1) - History (Q1) - Archeology (arts and humanities) (Q1)
Financiación: info:eu-repo/grantAgreement/ES/DGA/H07
Financiación: info:eu-repo/grantAgreement/ES/MINECO/HAR2014-59042-P
Tipo y forma: Article (Published version)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes. If you remix, transform, or build upon the material, you may not distribute the modified material.
Exportado de SIDERAL (2021-01-21-11:16:50)
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El reestudio de los conjuntos rupestres de la zona, junto al realizado sobre nuevos abrigos recientemente descubiertos, ha permitido establecer paralelos temáticos y estilísticos que subrayan la conformación en la Sierra de Albarracín de un verdadero núcleo rupestre con particularidades que poco tienen que ver con el arte levantino propio de otras áreas geográficas.
A new analysis on two of the most interesting rock-art shelters of the mountain range of Albarracín is presented. New documentation techniques have been used on the study. It has been more than 30 years since the last exhaustive study carried on these sites, the digital enhancement of the images has allow us to have not only a better documentation of the motifs but also offer a new reading relating to the preservation of the paintings. In this way, we point out that one the re-painted of the bull from Ceja de Piezarrodilla could be, in fact, a biotic agent growing over the painting. The re-study of the rock-art sites of the area, also with the new rock-art shelters recently found, allow us to establish thematic and stylistic parallels that highlight the formation of a real rock-art nucleus in the mountain range of Albarracín with some particularities that have little to do with the Levantine rock-art in other areas.
Idioma: Español
DOI: 10.14201/zephyrus2015757384
Año: 2015
Publicado en: Zephyrus 75 (2015), 73-84
ISSN: 0514-7336
Factor impacto SCIMAGO: 0.525 - Archeology (Q1) - History (Q1) - Archeology (arts and humanities) (Q1)
Financiación: info:eu-repo/grantAgreement/ES/DGA/H07
Financiación: info:eu-repo/grantAgreement/ES/MINECO/HAR2014-59042-P
Tipo y forma: Article (Published version)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes. If you remix, transform, or build upon the material, you may not distribute the modified material. Exportado de SIDERAL (2021-01-21-11:16:50)
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Record created 2017-12-13, last modified 2021-01-21