La construcción de las iglesias parroquiales de Samper del Salz, Mezquita de Loscos y Santolea y el modelo quincunx en la arquitectura aragonesa del siglo XVIII
Martín Marco, Jorge
Resumen: Las iglesias parroquiales de Samper del Salz (Zaragoza), Mezquita de Loscos (Teruel), cuyos diseños se deben a Vicente Gracián; y la de Santolea (Teruel), diseñada y construida por Juan Giner, son tres ejemplos del uso de la tipología quincunx, con algunas variantes, en Aragón durante el siglo XVIII. Además, también son una perfecta muestra de la resistencia del gusto barroco en las zonas alejadas de los centros artísticos de las Aca- demias y la lenta asimilación de este lenguaje.
The parochial churches of Samper del Salz (Zaragoza), Mezquita de Los- cos (Teruel), both of them designed by Vicente Gracian, and the one of Santolea (Teruel), designed and built by Juan Giner, are three examples of the use of the quincunx typology, with some variations, in Aragón in the 18th century. Furthermore, they are also a perfect sample of the resistence of the baroque taste in the areas that were far away from the artistic centres of the Academies and the slow assimilation of this language.
Idioma: Español
Año: 2018
Publicado en: Boletín del Museo e Instituto Camón Aznar 116 (2018), 37-106
ISSN: 0211-3171
Originalmente disponible en: Texto completo de la revista
Tipo y forma: Article (Published version)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes. If you remix, transform, or build upon the material, you may not distribute the modified material.
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The parochial churches of Samper del Salz (Zaragoza), Mezquita de Los- cos (Teruel), both of them designed by Vicente Gracian, and the one of Santolea (Teruel), designed and built by Juan Giner, are three examples of the use of the quincunx typology, with some variations, in Aragón in the 18th century. Furthermore, they are also a perfect sample of the resistence of the baroque taste in the areas that were far away from the artistic centres of the Academies and the slow assimilation of this language.
Idioma: Español
Año: 2018
Publicado en: Boletín del Museo e Instituto Camón Aznar 116 (2018), 37-106
ISSN: 0211-3171
Originalmente disponible en: Texto completo de la revista
Tipo y forma: Article (Published version)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes. If you remix, transform, or build upon the material, you may not distribute the modified material. Exportado de SIDERAL (2019-11-27-15:43:59)
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Record created 2019-11-27, last modified 2019-11-28