Jorge Oteiza y Mariano Garrigues en el INIA (1951-57): un cruce de dos modernidades
Labarta Aizpún, Carlos (Universidad de Zaragoza) ; Delgado Orusco, Eduardo (Universidad de Zaragoza)
Resumen: La fructífera década de los cincuenta, prolijamente estudiada, esconde no obstante inesperadas coincidencias como la confluencia de un escultor decididamente experimental y un arquitecto con un perfil más posibilista. Las circunstancias del encuentro y la revelación de esta obra conjunta, solo puntualmente tratada en la historiografía correspondiente, se desgranan como un acontecimiento que contribuye a verificar, una vez más, las variadas almas de la modernidad española, tan fecunda precisamente por su mestizaje fortalecido por la dificultad de cualquier encasillamiento. En este caso se concluye que la pieza de Oteiza, fruto de sus investigaciones sobre las implicaciones espaciales del muro, se yuxtapone al edificio de Garrigues no llegando a alcanzar un diálogo real con la arquitectura del Instituto de una incipiente modernidad.
The fruitful decade of the nineteen-fifties, although a widely studied period, harbours unexpected eventualities, such as the confluence of a resolutely experimental sculptor and an architect of a more possibilistic nature. The circumstances surrounding the encounter and revelation of this joint work, very rarely mentioned in the corresponding literature, can be seen as an event that contributes to verifying, once again, the multi-faceted soul of the modern movement in Spain, whose fruitfulness was a result of its inherent hybridity, strengthened by the challenge of creating any classification. In this case, it is concluded that Oteiza’s piece, the result of his investigation into the spatial implications of the wall, is juxtaposed against the building by Garrigues without achieving a real dialogue with the incipient modernism in the architecture of the institute.
Idioma: Español
DOI: 10.4995/vlc.2019.10965
Año: 2019
Publicado en: VLC arquitectura 6, 2 (2019), 121-146
ISSN: 2341-3050
Factor impacto SCIMAGO: 0.102 - Visual Arts and Performing Arts (Q3) - Geography, Planning and Development (Q4) - Urban Studies (Q4) - Architecture (Q4) - History (Q4)
Tipo y forma: Article (Published version)
Área (Departamento): Área Proyectos Arquitectónicos (Unidad Predepartam. Arquitect.)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes.
Exportado de SIDERAL (2023-09-21-13:30:29)
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The fruitful decade of the nineteen-fifties, although a widely studied period, harbours unexpected eventualities, such as the confluence of a resolutely experimental sculptor and an architect of a more possibilistic nature. The circumstances surrounding the encounter and revelation of this joint work, very rarely mentioned in the corresponding literature, can be seen as an event that contributes to verifying, once again, the multi-faceted soul of the modern movement in Spain, whose fruitfulness was a result of its inherent hybridity, strengthened by the challenge of creating any classification. In this case, it is concluded that Oteiza’s piece, the result of his investigation into the spatial implications of the wall, is juxtaposed against the building by Garrigues without achieving a real dialogue with the incipient modernism in the architecture of the institute.
Idioma: Español
DOI: 10.4995/vlc.2019.10965
Año: 2019
Publicado en: VLC arquitectura 6, 2 (2019), 121-146
ISSN: 2341-3050
Factor impacto SCIMAGO: 0.102 - Visual Arts and Performing Arts (Q3) - Geography, Planning and Development (Q4) - Urban Studies (Q4) - Architecture (Q4) - History (Q4)
Tipo y forma: Article (Published version)
Área (Departamento): Área Proyectos Arquitectónicos (Unidad Predepartam. Arquitect.)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes. Exportado de SIDERAL (2023-09-21-13:30:29)
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Record created 2020-08-06, last modified 2023-09-21