El simbolismo del misterio. Nueva lectura de misterios de las noches y los días de Juan Eduardo Zúñiga
Beltran Almeria, L. (Universidad de Zaragoza) ; Encinar, A.
Resumen: La obra de Juan Eduardo Zúñiga destaca entre la de sus coetáneos y en el panorama literario actual. Con Misterios de las noches y los días (1992) dio una prueba más de su excepcionalidad. En este conjunto de relatos muy breves se sumerge en el género fantástico para reflexionar sobre las pasiones humanas, en la línea de la obra de Turguéniev. La estética del hermetismo grotesco domina estos misterios en sus dos direcciones: la romántica y la realista, según Bajtín; la fantástica y la satírica, según Kayser. El presente análisis enfoca estas ficciones bajo este prisma y se detiene en la evolución de algunos cuentos sobresalientes. En estas fabulas la unilateralidad del hermetismo pre-moderno se transforma en un pensamiento y una estética abarcadores de varios puntos de vista.
Juan Eduardo Zuniga''s work stands out among that of his peers and in the current literary landscape. With Misterios de las noches y los dias (1992) he gave one more proof of his exceptionality. In this set of very short stories, he immerses himself in the fantastic genre to reflect on human passions, in the line of Turgueniev''s work. The aesthetics of the grotesque hermeticism dominates these mysteries in its two directions: the romantic and the realistic, according to Bakhtin; the fantastic and satirical, according to Kayser. The present analysis focuses these fictions under this prism and stops at the evolution of some outstanding stories. In these fables the unilaterality of pre-modern hermeticism is transformed into a thought and an aesthetic that encompasses several points of view.
Idioma: Español
Año: 2020
Publicado en: Pasavento 8, 2 (2020), 395-410
ISSN: 2255-4505
Originalmente disponible en: Texto completo de la revista
Factor impacto SCIMAGO: 0.101 - Literature and Literary Theory (Q3) - Language and Linguistics (Q3)
Tipo y forma: Article (Published version)
Área (Departamento): Área Teor.Liter.y Liter.Compa. (Dpto. Lingüíst.y Liter.Hispán.)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes.
Exportado de SIDERAL (2021-09-02-10:21:03)
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Juan Eduardo Zuniga''s work stands out among that of his peers and in the current literary landscape. With Misterios de las noches y los dias (1992) he gave one more proof of his exceptionality. In this set of very short stories, he immerses himself in the fantastic genre to reflect on human passions, in the line of Turgueniev''s work. The aesthetics of the grotesque hermeticism dominates these mysteries in its two directions: the romantic and the realistic, according to Bakhtin; the fantastic and satirical, according to Kayser. The present analysis focuses these fictions under this prism and stops at the evolution of some outstanding stories. In these fables the unilaterality of pre-modern hermeticism is transformed into a thought and an aesthetic that encompasses several points of view.
Idioma: Español
Año: 2020
Publicado en: Pasavento 8, 2 (2020), 395-410
ISSN: 2255-4505
Originalmente disponible en: Texto completo de la revista
Factor impacto SCIMAGO: 0.101 - Literature and Literary Theory (Q3) - Language and Linguistics (Q3)
Tipo y forma: Article (Published version)
Área (Departamento): Área Teor.Liter.y Liter.Compa. (Dpto. Lingüíst.y Liter.Hispán.)
You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. You may not use the material for commercial purposes. Exportado de SIDERAL (2021-09-02-10:21:03)
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Record created 2020-12-17, last modified 2021-09-02